Breaking the Twitter Addiction

I recently quit Twitter or, rather, I deleted it from my computer and Ipad so as to remove that temptation. My Twitter account is still linked to my Facebook account so anything I put on the latter appears on the former. 

The social media have been promotional tools, or at least that’s what I told myself. They are also a support in a profession that is pretty introverted. I get to chat with fans, some of whom have turned into friends. I tell them what I’m doing, have exchanges about science fiction, science and politics but, as ever, it is this last that is a problem.

There’s a difference between Twitter and Facebook to me. It could be that Facebook has a more mature demographic than Twitter. It might also be that the latter is more amenable for the drive-by comments, the trolling and brief spats during which no one has the time or words to calmly explain themselves . . . or that the medium attracts those who don’t want to. However, as people have suggested, it is more likely that this is just a matter of who I allow to be ‘friends’ and who I either block or mute. This has some validity since for years I’ve been very selective on Facebook in cutting out those whose opinions annoy me. But the problem I feel is also me. 

On Twitter I allowed more of the angry political stuff and vented more myself. Ranting has its attractions, it’s letting off steam, allowing oneself to blow . . . but as time goes on it becomes an addiction. I find myself scrolling through Twitter (I visualize myself staring at the screen with a moronic expression) just looking for stuff to be angry about; looking for stuff I can make cutting comments on. This is all very well if you have time to waste, but I do not. I have books, blog posts and other stuff to write, a website to update, a garden and a house to keep tidy, books to read, a life. 

Anger is also a negative emotion, and I have had quite enough of those for four years now. I can go on Twitter, get only involved peripherally in some spat, and it still makes me feel sour. And what does any of this achieve on the political front (where most of the anger resides)? In the end our effect on the politics of our country is limited to one vote every now and again and, as has been demonstrated recently, that vote can be all but ignored. Some argue that one must make a stand on the basis of the old aphorism that ‘for evil to prosper all that is necessary is for good men to do nothing’, which I have to counter with the reality most sensible people have come to understand, that arguments on the social media change no one’s mind, they just leave people pissed off. 

So I’m out of that. I’ll leave Twitter alone for a couple of weeks, then go back to do some muting and blocking. I’ll also adjust my settings to limit comments to my followers only. Thereafter I’ll check in only intermittently. 

This is better for me. The sour political world of Twitter can bugger off.  

Beyond Skyline and Warcraft

Having dived back into reading (I’ve read more books this year than in the previous 5) I reckon it’s been a month since I turned on my television. Scanning through what was available on Netflix I felt no urge to get back involved with any of the interminably extended franchises so looked at the films. 

First up was Beyond Skyline – an enjoyable, derivative and all-over-the-place sfnal romp. It is science fiction you can enjoy just so long as you’re prepared to NOT take it seriously. It has aliens in there that are like Predator, a bit of, ‘Oh my God it sucked out his brain!’, plenty of Kung Fu Fighting and is full of enough holes to drop a space ship through. I would style its attitude as close to Guardians of the Galaxy, but with more people ending up dead.

Next up, because I did not feel at all tired, did not want to read now and was in sofa sloth mode, was Warcraft. It had caught my attention before whereupon my response was, hmm, that’s going to be some crap fantasy based on a game. I decided I would lose nothing by taking a look at it and, damn, straight in with some of the best fantasy CGI I’ve seen. The orcs were brilliant and, it could be argued, had almost more character than the human actors. But I’m not disparaging the human actors – they were damned good too. It grabbed me and I realised that here was a great story, with characters I cared about, battles and fight scenes that were excellent, interactions that worked. I enjoyed it immensely.

I understand that this film has been panned and I totally disagree. Recommended. 

The Languages of Pao by Jack Vance

It’s interesting returning to the kind of stuff I used to read rather more years ago than I care to think about. Some writers are now just an immediate ‘no’ because too much in their books has dated. Social mores and technology have changed so much since these books were written that some of them are risible. Also, since having written a fair few books (I dunno, 25?) I see stuff now I wouldn’t have seen when I was a naïve teenager. I see the holes, the ideas started and abandoned during the book, the diversions, the padding or rather lack of an editorial hatchet.

Thus far those that had stood ‘my’ test of time have been books by A E Van Vogt and now to him I add Jack Vance.

The Languages of Pao by Jack Vance has a damned good idea as its basis: changing a culture by changing the languages the people speak. In fact, having learned a lot of Greek, I can see how strongly a language reflects its culture and how a reversal, as in this book, might be true. I enjoyed this, the characters, the strange cultures described, and the conclusion. It is notable how both Vance and Vogt are very vague about the technologies their characters deploy – here we do have tech that is indistinguishable from magic – and describe settings that are only loosely based on the writers’ own time. In this way it is much less likely for their books to go past their use-by date.

The Cosmic Engineers

This one was a no-no right from the start. Two reporters on a space ship, one of them turning a dial to tune in the radio, gave me difficulties with suspension of disbelief right at the start. People from the 50s supposedly in a future three thousand years away from us. Other things in the science and the narrative were appalling. A guy getting into a pressurized spaceship through the front screen was risible. Then there was a woman, after a 1,000 years in hibernation during which she was conscious, waking up and behaving as if she's been a bit stir crazy for a few days and, incidentally, speaking the same language as the reporter who freed her. Nah. This makes me realize how much SF I swallowed with a naive hunger when I was younger.

This is not really a review since I didn't get more than a chapter or two into the book.

The Battle of Forever - A E Van Vogt

After Syzygy (previous post) and a failed attempt to read With a Strange Device by Eric Frank Russell, I resorted to one who has never disappointed: A E Van Vogt. The Battle of Forever snared me immediately. Sure, published in 1971 it’s a bit dated, but I didn’t find myself cringing at any of the technology, just a little bit at the mores. Of course not: this is Van Vogt and right from the start it’s far future super-science.

Modyun is one of the thousand remaining members of the human race, incredibly long-lived, peace loving and totally rational. He doesn’t suffer much from all that emotional gland-related stuff because, well, as this starts out he hasn’t got very much of that icky stuff going on, being mostly a bloody great head with a negligible body. But then he must venture beyond the barrier out onto the rest of the planet, which is now occupied by animals uplifted into human form and intelligence. To do this he grows and eight-feet-tall body to support that head, and begins to experience its effects, especially when he discovers Earth has been conquered by aliens…

It’s the good old stuff.         

Syzygy - Michael G Coney

Syzygy by Michael Coney was first from that stack of second-hand books I picked up in Hastings. I immediately found it a little disappointing. If I had read it when it was published in 1973 my reaction, as a voracious consumer of any SF, would have been different. But the world has moved on since then, and so have I. 

The sfnal idea here is of oceanic plankton breeding every 52 years and, in the process, forming briefly-lived minds to protect itself. These minds control the local blackfish (sharks really) to attack and kill the fish that would feed on the plankton. This effect spills over onto human colonists causing a telepathic amplifier feedback effect on emotions, resulting in violence and various irrational behaviours. In essence: you really don’t want to know what people think of you. The human government responds to this with an attempt to poison the minds and, becoming aware of the humans, they respond by trying to drive the humans into the sea to be torn up by the blackfish. 

Intertwined in this is a human story concerning a bereaved husband falling for the sister of his dead wife, along with a mystery about how she died – all resolved in the final scenes. I’ll go into no more detail about it than that. I found it all a bit prosaic and a struggle to get through because, really, I was after the sfnal hit. In fact, beyond the plankton minds, it all struck me as a bit lacklustre. This could all have been about mind-controlling plankton arriving at the coast of some US town in the fifties. While in science fiction one must suspend disbelief, in old SF one must extend that suspension to cover, in this case: fifty-year-old technology on a colonised planet, and the mores of that time. One just has to laugh a hollow laugh when only a woman is capable of properly cleaning our hero’s house, and when that same hero, upon sensing the thoughts of a pipe-smoking psychologist, has a homophobic reaction that would today have the writer strung up by the thumbs, albeit the reaction was that of the protagonist.  

Felicia Day: Fave Books of 2014!

Neal Asher at Forbidden Planet

Reading Again

When I was in my 10s, 20s and 30s I used to read huge numbers of books. Over some early years it averaged out at 10 books a month. Maybe this was because the books I read back then were slim SF volumes from the likes of Asimov, Blish, Aldiss etc. As I transitioned into a full time writer that number grew smaller but I still always had a book on the go. Events four years ago (which I have gone on about enough) killed my urge to read, but it has been slowly recovering. Now it seems I have broken through some barrier thanks to Terry Pratchett.

Over the last month I polished off 12 Pratchetts in the collection above. I then felt the urge to return to my habit of old which was wandering around second-hand bookshops in search of sfnal (and fantasy) gems. Last week Julie and I went down to Brighton and then Hastings to visit my old editor, Peter Lavery. There I wandered into a shop and this happened:

My first choice out of these was perhaps the best and, reading Philip K Dick’s Zap Gun reminded me of why I have none of his books in my collection. But onward and upward! Next I’ll try a Van Vogt who, thus far, has never disappointed.

Half Breed

Ideas come in their time eh? I must read this:

"Jackal is proud to be a Grey Bastard, member of a sworn brotherhood of half-orcs. Unloved and unwanted in civilized society, the Bastards eke out a hard life in the desolate no-man's-land called the Lots, protecting frail and noble human civilization from invading bands of vicious full-blooded orcs."

Readers here may remember how a number of years ago I was writing stuff for a Heavy Metal film. One story requested was an orcs and elves battle based on Rorke's Drift (Zulu). I needed superior weapons to keep the hordes of orcs at bay so I went with arbalests wielded by immensely strong half-breed orcs (the children of rape). I called the story Half Breed. Here’s Skander, the leader of that party of orcs.

Because this was story written on request and therefore owned by Tim Miller, who was putting together this Heavy Metal film to sell to Paramount (yeah, Deadpool Tim Miller), I couldn’t publish it. The thing languished in my files and then, as the Heavy Metal thing fell through, continued to languish there. I’ve since written another one called Brawl that might be used in another project I probably can’t talk about (name change from Skander because of US legal wankery). I’ll have to check on whether I can use these when I finally get round to publishing a collection of fantasy short stories.  

The Old Stuff on Kindle and in Paperback

I’ve mentioned elsewhere my steady climb up the writing ladder so I’ll not go into it here, suffice to say that before the big publisher took me on I’d put my hours in with the small presses. As a result of this I did have a number of small things published before Gridlinked hit the shelves.

Mindgames: Fool’s Mate Kindle

Mindgames: Fool’s Mate Paperback

Some years ago I heard about self-publishing on Kindle, so I put some of these items on there and they’ve been selling in increasing amounts ever since. The last thing I put on there was a collection called Runcible Tales and, while doing that, I saw that Amazon gave an option to publish it as a paperback too. This was interesting.

Runcible Tales Kindle

Runcible Tales Paperback

Runcible Tales sold nicely but there were always those asking about getting hold of the thing in paper which, for whatever reasons, I was reluctant to do (or too lazy).

The Parasite Kindle

The Parasite Paperback

Recently, after finishing editing Book III of Rise of the Jain (The Human), I decided to have a sort out of my short stories. I put those that were in collections into files of the same names, so I had Runcible Tales, The Engineer ReConditioned and The Gabble. This left many single stories that might have been published here and there in anthologies put out by others. I decided to put together a small collection of Polity and Owner stories and called it Owning the Future.

Owning the Future Kindle

Owning the Future Paperback

Also in there I found Mason’s Rats. This was a collection of just three short stories that many had enjoyed. They were first published in a small press magazine called Kimota, whose editor, Graeme Hurry, who then published as a small booklet he handed out at an SF convention. I published these on Kindle too.

Mason’s Rats Kindle

Next it was time to bite the bullet so I started off by publishing Runcible Tales in paper form on Amazon. That went well enough so I did the same with the rest. There were some hiccups concerning pagination and the covers are quite plain (something I must look into in the future), but now all of the above are available on Kindle and in POD paper. The links below each will take you through to the Amazon UK, but these are also available in the US and elsewhere.   

Owning The Future

I've just put this collection up on Kindle. It will also be appearing as an Amazon paperback sometime soon . . .

I have a varied collection of short stories in my files and, of course, the temptation is there to dump them on Kindle, take the money and run. However, though I think some of them are great, some aren’t, and some are profoundly dated. I am aware that there are those out there, who will just buy these without a second thought, so I have to edit, be selective, and I damned well have to show some respect for my readers. Kindle in this respect can be a danger for a known writer, because you can publish any old twaddle and someone will buy it. Time and again, I’ve had fans, upon hearing that I have this and that unpublished in my files, demanding that I publish it at once because surely they’ll love it. No they won’t. A reputation like trust: difficult to build and easy to destroy. 

I’ve therefore chosen stories other people have published here and there, and filled in with those I really think someone should have published. Here you’ll find some Polity tales, some that could have been set in the Polity (at a stretch) and some from the bleak Owner universe. Enjoy!

Neal Asher 04/06/18

  

Stories:

Memories of Earth

I believe I wrote this one as a publicity exercise for Tor Macmillan while they were publishing the Owner trilogy, but then it wasn’t used. I subsequently shunted it off to Asimov’s and they published it in their October/November 2013 issue. There’s also an audible version on Starship Sofa (No. 383).

Shell Game

This appeared in The New Space Opera 2 edited by Gardner Dozois and Johnathan Strahan published in July 2009.

The Rhine’s World Incident

First appeared in Subterfuge from Newcon Press in 2008, next appeared in In Space No One Can Hear You Scream from Baen Books in 2013. This is the story where the swarm AI the Brockle makes its first appearance.

Owner Space

Appeared in Galactic Empires published by Gardner Dozois in 2008

Strood

First appeared in Asimov’s in December 2004, next in Year’s Best SF 10 published by Hartwell and Kramer in 2005. StarShipSofa did an audible version: No. 463

The Other Gun

Cover picture story in Asimov’s April/May 2013. This is a backstory for the Rise of the Jain trilogy – it concerns the Client.

Bioship

This appeared in George Mann’s Solaris Book of New Science Fiction in 2007

Scar Tissue

Not appeared anywhere at all!

The Veteran

There’s an audible version of this on Escape Pod, episode 118, read by Steve Eley – went up there in 2007

Mythos - Stephen Fry

It was good to read stories I vaguely knew written out clearly. That Narcissus fell in love with his own reflection is enduring. Here I learned how the water nymph Echo related, and how the flower came to be. Prometheus’s unfortunate sojourn on the side of a mountain, with vultures eating his liver, was another story elucidated . . . in fact, there wasn’t a story here I did not know some part of, which shows just how ingrained Greek myth is in our culture.  

I particularly enjoyed the language connections that Fry elaborated on like, off the top of my head, that the ‘Ge’ in Geo words like Geology comes from Gaia, the Earth goddess. Having learned Greek (allegedly) and having spent many years on Crete, I also felt this mythology gave me further insight into the working of the Greek mind. It is a fact that your language informs your perspective on reality (and that learning another one gives you a deeper perspective), while Greek myth is firmly intertwined with their language (and ours, though not so firmly).

Do I recommend this book, what with most people reading this blog being SF readers? Well, it was a mostly easy undemanding read, except in some sections, where genealogical lists tended to the boring. But you know what, it’s nice to know, for example, the history of the names in John Varley’s Gaean Trilogy. SF writers have used Greek myths and names more than one might suppose, so go on, educate yourself.   

The Fun Police

I do a lot of walking along the sea walls around here – they are in fact some of the best places to ramble in agricultural Essex. A favoured walk is from St Peter’s Chapel out at the end of the Dengie peninsular, round past Bradwell power station to Bradwell Waterside, there to recuperate with a drink and a bag of nuts in the Green Man, then back to the starting point. In all it’s about 8 miles. While taking this route it’s nice to stray onto the beach for a while, or pause to take in the scenery. A good place for doing the latter is from the tops of pillboxes (WWII defences) incorporated in the sea wall. They provide a perfect platform. Or, at least, they did.

Now it seems the nanny state and the fun police have struck again. Can’t be having us plebs walking out on these things. No safety rails you see. Someone might fall off and instead of this sensibly being seen as a valuable contribution to the Darwin Award, it’s to be frowned on. Of course, the council, or whoever put these fences here, is not entirely to blame. In my childhood, should I have fallen from something like this, my father would have added to my injuries with a clip round the ear for being such a dozy prat. In today’s litigious society, that’s not what happens, and woe betide any council that allows the children of generation snowflake to stray near potential harm.

More and more I see the future Britain full of strictly controlled and managed parks, where blobby people can motor along the neat paths on their invalid scooters, and where children bounce along looking like the Marshmallow Man in their safetywear, perhaps pausing to inspect the patches of stinging nettles and thistles growing behind Perspex screens.        

Red Sister and Sharp Ends

I haven’t been reading many books over the last few years. I put this down to events of over four years ago when I ceased to take pleasure in anything. By and by my enjoyment of most things has returned but with the reading, not so much. Too often in the last few years I’ve picked up books and then lost interest in them – the whole idea of continuing to read them seeming a chore. I therefore began to think that maybe this was a pleasure that would never return and that, after years of reading books and years of writing the buggers, I’ve become jaded with them.

To a certain extent, this may be the case. I’ve found that books I used to love quite often annoy me, especially when I hit continuity errors and other mistakes, and slip into a dispassionate editing mode. Or when I read others and find myself baffled by my earlier enjoyment of them, or when I read a writer whose language I loved and now find just irritating.

However, I do still come across books, and writers, who do the job. David Gemmell is one such writer, while Peter Hamilton is another. Recently, while in a bookshop, my girlfriend waved a book at me that for some time I’d been talking about buying and reading. This was Red Sister by Mark Lawrence. I took that and, while there, noted Joe Abercrombie’s short story collection Sharp Ends, and picked that up too.

Incidentally, both of these writers were introduced to me by way of their publishers hawking them around for nice comments to put on the covers. In each case, I had no problem with this. I have ARCs of The Blade Itself by Joe Abercrombie and of Prince of Thorns by Mark Lawrence, and then went on to buy the ensuing books of, respectively, the First Law and the Broken Empire trilogies.

Anyway, these two books . . . I polished them both off in under a week. I guess this is the point where I should wax lyrical about the hard gritty fantasy of these two writers with its lack of fluffy elves, and its excellent memorable characters. Perhaps I should mention how unputdownable was Red Sister, or how just a small bit of dialogue between characters in one of the Abercrombie short stories had me snorting tea out of my nose? No, I will not. All I will say is that for this jaded old misery these two books are the good stuff.

Recommended.

Gridlinked Cheap!

Gridlinked is in a Kindle 'Start a Series' promotion in the UK for 10 days. Buy it now for 99 pence!

Reddit AMA

The author AMA is now open:
https://www.reddit.com/r/sciencefiction/comments/8jn3kw/im_neal_asher_science_fiction_writer_ama/

Reddit AMA

I'll be doing a Reddit AMA (ask me anything) at 6PM UK time.

https://www.reddit.com/r/sciencefiction/comments/8igmgj/upcoming_amas/

You should be able to find it somewhere here at that time:

https://www.reddit.com/r/sciencefiction/

Hello people, Neal Asher here.

Here are the nuts-and-bolts of who I am, or maybe more correctly, what I do: I once was a hungry aggressive SFF writer struggling to get the odd thing published and writing new stuff on the back of rejection letters. I spent years running at that particular brick wall with my head, until something finally broke . . . I then spent years of getting short stories, novellas and the like published in the small presses (and earning some way below zero for them). A big publisher, Pan Macmillan, finally took me on and brought out my first full-length SF novel, Gridlinked, in 2001. A year or so later I took the risk of giving up my day job and now I’m about 25 books in. Most of my stuff is set in the ‘Polity’ – a far future human/AI society that is pretty utopian, except for the hostile aliens at the border, the occasional psychotic AI, a war that burned up a few hundred worlds and a civilization-destroying alien technology . . . you get the picture. If this is your kind of thing (described as post-cyberpunk space opera, apparently) then search engines will turn up all you need to know. You can find my website at nealasher.co.uk. The blog there is copied across from http://theskinner.blogspot.com while I can also be found on Twitter @nealasher, on Facebook at neal.asher and of course here on Reddit.    

My latest book, The Soldier, is the first in a new trilogy with the overall title Rise of the Jain. Jain technology is the one mentioned above. You might like to ask me why I named a hostile alien technology after a peace-loving religion and my answer will be suitably glib!

Here’s the blurb:

Her mission is vital. Her failure is unthinkable.

A hidden corner of space is swarming with lethal alien technology, a danger to all sentient life. It’s guarded by Orlandine, who must keep it contained at any cost – as it has the power to destroy entire civilizations. She schemes from her state-of-the-art weapons station, with only an alien intelligence to share her vigil. But she doesn’t share everything with Dragon . . .

Orlandine is hatching a plan to obliterate this technology, removing its threat forever. For some will do anything to exploit this ancient weaponry, created by a long-dead race called the Jain. This includes activating a Jain super-soldier, which may breach even Orlandine’s defences.

Meanwhile, humanity and the alien prador empire keep a careful watch over this sector of space, as neither can allow the other to claim its power. However, things are about to change. The Jain might not be as dead as they seemed – and interstellar war is just a heartbeat away.

The Soldier is the first novel in the Rise of the Jain series, by bestselling science fiction author Neal Asher.

This is an AMA so go ahead and ask me anything. I can’t guarantee I’ll answer, or maybe be any more than flippant, but I’ll give it a shot.

Locus Review of The Soldier

Nice review in Locus from Russell Letson of The Soldier. You can buy the magazine here. Here's a little of it:

But I get ahead of myself. The Soldier: Rise of the Jain Book One opens a new set of chapters in the story of the infiltration of Jain technology into the Polity/Prador neighborhood. The story hosts a reunion of characters from earlier books: the Jain-taming haiman (AI-enhanced human) Orlandine; the Jain-spreading creature once called the Legate, now Angel; and one of the ancient, moon-sized, enigma-loving aliens called Dragon. New characters include familiar Asherian types: a couple of Hoopers, nearly-indestructible humans from the everything-eats-everything planet Spatterjay; some disturbingly upgraded and cooperative (if still vicious) Prador; and miscellaneous snarky battle drones and AI warships. They are joined by some even stranger creatures, often singletons of various kinds: relicts and lone survivors, the creation of a rogue AI war­ship, self-redesigned cyborgian entities.

I had thought with the Transformation trilogy (Dark Intelligence, War Factory, Infinity Engine) that Asher had maxed out what could be done with the Polity setting – that the near-metaphysical im­plications of the fate of Penny Royal constituted a kind of narrative event horizon. I think I might have been mistaken.

Book Signing

• 

NEAL ASHER will be signing THE SOLDIER at the Forbidden Planet London Megastore on Thursday 17th May from 6 – 7pm.

The first novel in the brand new RISE OF THE JAIN series!

A hidden corner of space is swarming with lethal alien technology, a danger to all sentient life. It’s guarded by Orlandine, who must keep it contained at any cost – as it has the power to destroy entire civilizations. She schemes from her state-of-the-art weapons station, with only an alien intelligence to share her vigil. But she doesn’t share everything with Dragon . . .

Orlandine is hatching a plan to obliterate this technology, removing its threat forever. For some will do anything to exploit this ancient weaponry, created by a long-dead race called the Jain. This includes activating a Jain super-soldier, which may breach even Orlandine’s defences.

Meanwhile, humanity and the alien prador empire keep a careful watch over this sector of space, as neither can allow the other to claim its power. However, things are about to change. The Jain might not be as dead as they seemed – and interstellar war is just a heartbeat away.

Neal Asher lives sometimes in England, sometimes in Crete and mostly at a keyboard. Having over twenty-five books published he has been accused of overproduction (despite spending far too much time on the social media, or kayaking and walking) but doesn’t intend to slow down just yet.

This book will be available at the signing - or click to order by Mail Order

Pre-Order
£18.99

Event Locations & Times

London Megastore

Thu 17 May 2018

From 18:00 to 19:00