Written quite some while ago probably after an overdose of city fiction probably of the 'slipstream' variety. - Neal 2020
There seems a belief, ascribed to by many of those
writing short science fiction today, that nothing of importance happens unless
it is set in the ‘mean streets’ of some city. On the whole the works stemming
from this will be based on some student or other urbanite living a squalid
existence in a seedy flat, while experiencing either relationship problems, or
angst about an inability to have a relationship at all. Often, the writers are
displaying a lack of imagination by casting themselves in the lead role in the
only setting they have experienced. From the other side, there are many writers
of fantasy who cannot step away from the image of their characters questing
through the wilderness or some agrarian idyll, though that usually stems only
from the secondhand experience gained throught the books they have read.
Getting back to the cities though: are the writers of much urban science
fiction nowadays suffering from the same delusion as the fantasy writers?
Cities and the country bleed into
each other. There are towns, villages, single houses and an infinite
combination of everything inbetween; industrial sites in the country; city
parks; wastelands being reclaimed by nature; connecting rivers and transport
systems; and, fuckit, urban foxes. And of course in both directions there is a
continuous exchange of people: wide varieties of commuters and ‘overspill’ and
many so-called ‘country’ people moving into the cities to work. The dividing
line, unfortunately, is near illusory, perceived mainly by resentful minds.
Cities no longer have impenetrable walls around them with gates that are closed
up at night and the countryside is no longer filled with Barny Hayseed clones
chewing on straws and muttering about ‘tham thar towny buggers’. This perception
displays the same blinkered vision as the present urban government, which
legislates for cities and against the country – damaging those millions
dwelling in between and polarising the attitude of many others – or of those
dwellers in a time warp, the fox hunting lobby, who manage to piss off all
camps.
Britons live in a huge and
wonderful variety of environments. Along our coasts there are many people who
have tried to opt out by living in their boats, others divide their lives
between boats and often much neglected coastal houses, there are huge
transitory populations on the sea on oil rigs and in container ships, many
millions inhabit suburbs, large populations live in villages where their only
real connection with the countryside is that they notice it from their car
whilst caught behind a tractor on their weekly visit to Asda, there are
inclusive island populations who don’t even think about any division between
city and country, there are towns where the countryside is only a step away and
in which the residents truly live their lives in both.
Of course, everything I’ve just
written is also blinkered, for I’m describing Britain today. Maybe, an SF writer
should be thinking of tomorrow’s Britain or an alternate one, or
both. Also, Britain
contains only a small fraction of the world’s population – there are actually
other countries, and some very different ways of life. As for our urban
environments? Even now the computer revolution is beginning to decentralise
white collar professions, so what need to live in the city? Robotic manfacture
is whittling down the required work force so what future need of industrialised
towns? And the financial imperatives that originally made urban dwelling a
necessity, will they last? Umph! Still today, still parochial!
What about undersea dwellings,
orbital communities, nomadic populations, cave dwelling morlocks, people
adapted to live under the sea, people loading their minds into VR, even nomadic
minds leaping from artificial body to body? Ach, I could go on and on, but the
point is made: urban SF writers, lift up your heads, take a look around and try
to imagine yourself somewhere else. Oscar Wilde quipped about how he may be
lying in the gutter, but he’s looking at the stars, some people, it would seem,
are lying face-down in that same gutter.
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